British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 14 – November 2019

James Richards, on the side of the disease and not the cure (dithered detail from excerpt), 2019. Digital image courtesy of James Richards (all rights reserved).

ARTIST COLLABORATION

on the side of the disease and not the cure

With films by James Richards Sarah Perks

ARTICLE

“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain

By Samuel Bibby

ARTICLE

“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London

By Nathan O'Donnell

ARTICLE

The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

By Kirsty Sinclair Dootson

ARTICLE

The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London

By Catherine Roach

ARTICLE

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

By Katherine Fein